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This is a most remarkable and thrilling play. It has the dust of thought about it and the particles glitter excitingly in the theatrical air. Stoppard mixed the poetic melodrama of Shakespeare with the doom-laden minimalism of Samuel Beckett and topped it with the slapstick of the Marx Brothers.” ― Rolling Stone “A coruscatingly brilliant, endlessly thought-provoking masterpiece.” ― Wall Street Journal Stoppard’s plays: the foundation of his international career and the inevitable starting point for anyone wanting to appreciate him.” ―Benedict Nightingale, New York Times It is, after all, the most performed, most studied, most earnestly analyzed and strenuously anatomized of all Mr. has proved its sturdiness and power to endure.

“A masterpiece, not unlike Shakespeare’s plays it’s artfully, imaginatively written, multidimensional, and hilarious.” ― New Yorker Praise for Rosencrantz and Guildenstern Are Dead: